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It’s a cliché to remark that “they don’t make them like they used to” but, in the case of Marty, it’s true. The simple, character-based romance is a thing of the past; even indie filmmakers rarely attempt it today. The first thing o...

There's a kind of exhaustion that sets in while watching Marty Supreme – a response to the relentless, anxiety-inducing noise that defines the 150-minute experience. In Josh Safdie's first solo directorial effort in more than 15 years (following...

Mary Magdalene occupies a curious middle ground between philosophical arthouse movie and Easter-themed faith film. Although generally true to Biblical traditions associated with the title character, the filmmakers avoid overt references to th...

Mary Queen of Scots is the latest motion picture to plunder the fractious history between England and Scotland during the middle centuries of the previous millennium. Although transpiring some 250 years after the events depicted in Outlaw King...

"In the last 20, 30 years, [Frankenstein has] been claimed by a whole generation of academics and scholars as a seminal piece of literature of that time. [It's] something which now, post-Freud, they feel reveals so many observations about family l...

The Master is one of the most technically impressive films of 2012. It is the work of an artist; every shot is carefully composed. The set design, which recreates post-World War II America, is impeccable. The acting of the leads, Joaquin Phoenix an...

It's not hard to be enthusiastic about The Matador, an uncommon buddy film starring Pierce Brosnan and Greg Kinnear. The movie has a nicely modulated mix of comedy and pathos, but succeeds as much because of the two lead performances as Richard She...

May December, loosely based on the Mary Kay Letourneau scandal from the late 1990s, examines the long-term impacts on the lives of those involved in an adult/child sexual relationship that evolves over a lengthy period. As presented through the le...

The gold standard for inspirational teenage sports movies is unquestionably Hoosiers and, although McFarland USA falls short of the mark set by the iconic '80s film, it comes closer than most would expect. The reason is simple: McFarland USA, lik...

Based on the real-life story of writer/director Angie Wang, MDMA takes viewers back to the mid-1980s (1985 and 1986, specifically) and immerses them in the life and experiences of an 18-year old Jersey girl struggling to find her way in a prest...