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Art of Love, which started life with the title Simone, starts out as something different from how it finishes. It’s a tale of two halves. The first 45 minutes represent a whimsical journey of love as a shy young woman plays a cat-and-mouse g...

"In October of 1994, three student filmmakers disappeared in the woods near Burkittsville, Maryland while shooting a documentary. A year later their footage was found." With this ominous pronouncement on a title card, The Blair Witch Project begi...

To an extent, Blood Diamond is a victim of its own length. While the film includes a number of disturbing political and sociological insights, the adventure story is tepid and loses momentum as the storyline bogs down. The main character, played b...

“Conversion Therapy.” It sounds benign, perhaps even welcoming. The truth, as exposed in the articles and memoirs written by Garrard Conley, is far different. The intention of this process, which has been vociferously denounced by nearly e...

Let me start out by saying that Buried isn't a lot of fun, but it is raw and compelling. In the same way it's impossible to turn away from a grisly accident, taking your eyes away from Ryan Reynolds' hypnotizing performance is not an option. Ther...

For some reason, the Nazis are popular during the holiday season of 2008. They occupy central positions in Valkyrie and Good, flitter around the periphery of The Reader, and are rarely seen but very much present in Defiance. Edward Zwick's adapta...

Funny Bones is anything but what the title suggests. As a comedy, this movie is a complete flop, with fewer laughs than the average mindless sitcom. As a drama, it isn't much more successful. Writer/director Peter Chelsom, who brought us 1992's ...

The Gift, a psychological thriller from writer/director/actor Joel Edgerton, subverts the Fatal Attraction genre by sprinkling it with a little Usual Suspects flavoring. Clever and atmospheric, the film has enough twists to keep the average viewer gu...

Girl with a Pearl Earring is the first feature for director Peter Webber. Most freshman filmmakers don't come close to Webber's level of accomplishment, and (not to take anything away from him) some of the credit must certainly be parceled out to ...

As counter-intuitive as it might sound, chaos only works in a movie when it is carefully controlled and focused. Tarantino is one of several masters of this technique and there’s a sense during the course of Gringo that director Nash Edgerton...