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The quality and quantity of Israeli movie exports have increased significantly in recent years. Most of those features, while well-made, tend to be serious - not surprising considering the volatile situation those living there find themselves in. ...

It could be argued that The Banshees of Inisherin works better as an allegory than a straightforward narrative. There’s power in the message conveyed by writer/director Martin McDonagh’s screenplay; it’s less a drama and more a rumination ab...

A romantic comedy – any romantic comedy regardless of the ages, genders, or races of the participants – has two primary goals: generate laughter and give viewers at least a moment of smile-inducing giddiness. It’s all about being uplifti...

Perhaps the kindest way to describe Anthony Minghella's Breaking and Entering is to say it's evident as being broken fairly early during the proceedings. There's no shortage of candidates for the fatal flaw: the artificial storyline; the presence o...

Bridge to Terabithia is an example of a movie that does not deliver what the marketing campaign promises. Instead, it delivers something richer and more meaningful. Disney, in its infinite wisdom, is trying to make the film look like a watered do...

Since imprinting his name on the international indie box office with his mid-'90s one-two punch of Exotica and The Sweet Hereafter, Toronto-based filmmaker Atom Egoyan has been struggling to regain his footing. In one way or another, his last few ...

Dirty Deeds boasts a passably entertaining idea that is butchered in the telling. The underlying premise offers the opportunity for some Animal House/American Pie/Revenge of the Nerds-style entertainment, but the unfunny screenplay and inadequate ...

The cinematic landscape of early 2000 is littered with the carcasses of disappointing dinosaurs presented by respected, or at least recognizable, filmmakers: John Frankenheimer and ...

On the surface, The Family appears to tell a familiar story: a mob enforcer turned informer is placed into the witness protection program while his former associates seek to find and terminate him. What differentiates this from its antecedents is t...

Fur uses the real-life name and some of the real-life background of photographer Diane Arbus (Nicole Kidman) as the launching point for an entirely fictional romance. The movie is open about its aims and doesn't try to hide the fact that this is n...