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The ageless Isabelle Adjani, one of France's most beautiful faces, has an undeniable screen presence. And, with his lean, well-toned body and finely-sculpted features, Vincent Perez is equally pleasing to the eye. However, put them together with ...

The 2019 film Ready or Not was a delightfully wicked surprise, a fun horror-comedy that managed to successfully blend a Monty Python-esque approach to slapstick violence with a generous helping of blood and gore. While the premise of a "most d...

Rory O'Shea Was Here treads a fine line between offering an unvarnished look at the tribulations of being disabled and stumbling into the realm of Hollywood-inspired claptrap. At its best, Damien O'Donnell's film peers into aspects of the lives of...

Few would debate that the story of Edward Snowden’s life is as compelling as it is controversial. Based on Oliver Stone’s biopic, Snowden, it would also seem to be inherently non-cinematic. By opting to go with a straightforward account o...

With her most recent directorial outing, Sofia Coppola has strayed into an area of pretentiousness that we have rarely seen since the height of the French New Wave. There's probably a class of cinephile who will lap up Somewhere, savoring its bland...

It’s hard to imagine any version of Richard Matheson’s 1975 novel Bid Time Return working. The level of suspension of disbelief is so high that, although can be achieved in a written work, where the imagination is engaged, the same is not true...

The cinematic landscape has become so cluttered with the biopics of musical legends (and a few that fall into the “legends in their own mind” category) that the tendency is to shun these chronicles of hard times and inner struggles in favor of...

The Sweet Hereafter is film maker Atom Egoyan's most compelling movie to date. Amplifying many of the themes explored in his previous outing, Exotica, the Canadian director/writer/producer shows the powerful effects of grief and anger on a com...