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An American Werewolf in Paris is a failed attempt to recapture the humor and horror of John Landis' 1981 feature, An American Werewolf in London. Where the original had comedy, the sequel has the kind of revolting silliness that can be found in TV...

Con Air, producer Jerry Bruckheimer's generic follow-up to 1996's blockbuster, The Rock, is the kind of motion picture that critics refer to when they moan about the "dumbing down" of American cinema. This movie is a perfect example of what's wron...

Crimson Tide is a white-knuckler with a cop-out ending. It's a thrill-a-minute ride that concludes with a whimper, like a roller-coaster that has all the drops and twists early. Make no mistake, this is a good source of early summer fun, but with...

Here's something to chew on: what's the favorite food of big, cheesy-looking special effects monsters like the one lurking in the bowels of a luxury liner in Deep Rising? The obvious answer to this question is cardboard, because that's the depth ...

As bold and dazzling a spectacle as Evita is, it's missing a soul. This brash, glitzy, energetic entertainment has the power to hold an audience enraptured, but, at the same time, there's a sense that what we're experiencing is just candy for ...

Funny Bones is anything but what the title suggests. As a comedy, this movie is a complete flop, with fewer laughs than the average mindless sitcom. As a drama, it isn't much more successful. Writer/director Peter Chelsom, who brought us 1992's ...

With a title like G.I. Jane, it would be easy to dismiss Ridley Scott's latest effort as exploitation fare. Such a reaction, however, would do the picture an injustice. On the other hand, the movie lacks the thematic depth that the film makers wo...

Grosse Pointe Blank should come with a warning against advertisement-induced expectations which might diminish a viewer's appreciation of the film. The previews and TV commercials make the movie look like a frothy romantic comedy. In reality, Gro...