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In a graphic example of how creatively bankrupt Hollywood has become, it's no longer good enough merely to remake older films - now the studios have begun to remake remakes. 1972's The Last House on the Left, the first feature effort of Wes Craven...

Last Night in Soho has a great hook and starts out looking like it’s going to do something compelling with that hook. Unfortunately, as is too often the case with promising horror films, this one devolves into a disappointing mess toward the...

After decades of neutering, it’s fun to once again encounter a vampire who is bestial and monstrous. The vampires in this movie don’t sparkle when exposed to the sun, they burst into flame and die horribly. And the king of all un-dead, the leg...

The Lazarus Effect begins with an intriguing premise then proceeds to squander all the early goodwill through a slow, inexorable descent into cheap horror gimmicks. What begins as an intriguing blend of such diverse sources as Frankenstein, the 1990 ...

Perhaps the kindest thing to say about Lee Cronin's The Mummy is that it's not the worst movie to bear the words "The Mummy" in the title. That (dis)honor belongs to the 2017 Tom Cruise disaster. Cronin’s film falls well outside the purview o...

Let Me In is the English-language remake of the 2008 Swedish film Let the Right One In. From the beginning, there has been controversy associated with the "Hollywood-ization" of an edgy, ambiguous vampire tale because many die-hard adherents belie...

Note: There are minor spoilers throughout and final paragraph contains a somewhat more substantive, but oblique, spoiler. The "danger area" for the latter is marked. As Let the Right One In opens in a suburb of Stockholm during the 1980s, 12-ye...

Oblique spoilers follow. Nothing specific, but there are some hints about things perhaps better left unrevealed.Yes, for a majority of its running length, Life is an Alien clone. The similarities are so strong that they’re impossible to ignor...

The Lighthouse starts out as a moody, introspective exploration of loneliness and interpersonal communication and develops into an existential horror movie. Although I don’t think the ending quite works, the film grows more unsettling as it ...

Fear of the dark - few phobias are more common across the spectrum of modern society. Horror, in all its shapes, sizes, and forms, often works by exploiting this. It’s an underpinning of vampire stories and almost all horror films save their go...