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Sometimes it’s the little things that impede the full success of an ambitious film. That’s the case with Alex Garland’s Civil War – an alternate-history dystopian road trip movie that does its best not to answer the many questions viewers ...

Seen in standard digital 3D. To employ a cliché, there's good news and bad news for Clash of the Titans fans. The good news is that the 2010 remake is an improvement upon the 1981 original. The bad news is that the degree of improvement is mi...

Throughout his 50-year career, and especially in his great films, director Stanley Kubrick had a penchant for taking the novels of others and re-shaping them to fit his own vision. Of the 16 movies Kubrick directed (including his final feature, Ey...

Close feels like many of the numerous direct-to-DVD titles that were prevalent during the 2000s. High on action and low on logic, those movies were made quickly and for little money to satisfy an audience whose expectations were for 90 minutes...

Labor Day weekend is arguably the worst time of the year for a U.S. movie release. Films set to open at the end of August/beginning of September are given up for dead by their distributor. This is typically for one of two reasons: the production is...

Over the years, I have come to expect great things from Michael Winterbottom. I haven't loved everything he has done, but he has made some powerful movies and even his least inspired films have been watchable. So Code 46 broadsided me, provoking an...

Colette, a U.S./U.K. collaborative bio-pic from director Wash Westmoreland (The Fluffer), presents a chronology of the celebrated French author during her Belle Epoque formative years. Transpiring across a span of nearly 20 years, the movie fa...

It started ten years ago in 2008. Call it the “Liam Neeson Action Hero First Quarter Movie.” With Taken, Pierre Morel and Luc Besson tried an experiment: put a suave, respected actor in a B-grade action movie and see how audiences reacted....

Confetti is an excellent study of what happens when someone botches Christopher Guest's mockumentary format. A supposed satire of extravagant weddings and reality shows, Debbie Isitt's feature displays little in the way of wit or insight. It's lo...

For his follow-up to City of God, Brazilian director Fernando Meirelles has elected to adapt John Le Carré's The Constant Gardener into movie form. A slow-burn thriller simmering with international intrigue, the book would at first seem too long ...