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Contraband is the kind of thriller that offers just enough in the way of effective elements to assemble a two-minute trailer. When it comes to a 110-minute feature, however, the sketchiness of the plotting and the director's lack of sure-handedness...

In essence, Control is a standard order biopic of a tormented artist. What makes the film interesting, if not unique, is the style in which director Anton Corbijn has elected to present it. Rather than approaching the picture with the vivid psych...

Perhaps the biggest surprise with Coriolanus is the non-involvement of Kenneth Branagh who, for the better part of the last 20 years, has been engaged in seemingly every screen adaptation of a Shakespeare play (an exaggeration, but still...). At th...

When I first heard about The Counselor, it became one of my most anticipated titles of 2013. The talent alone made it seem like a "can't miss" proposition: Ridley Scott directing; Cormac McCarthy, the man responsible for the source material of No C...

To this day, there remains uncertainty as to the value of the intelligence information provided by Oleg Penkovsky (Merab Ninidze) during the height of the Cuban Missile Crisis. Was he, as the official narrative asserts, the highest-ranking Sov...

The setting of Cracks - an elite British all-girls boarding school during the 1930s - is a classic exploitation film locale. For her feature debut, however, Jordan Scott (daughter of Ridley, who co-executive produced the film along with his brother...

Bart Layton’s Crime 101, his first narrative feature in eight years, falls squarely into the category of movies that should be better than they are. With an ensemble cast of this caliber—featuring Chris Hemsworth, Mark Ruffalo, Halle Berry, Ba...

The Critic transpires during a time when critics (in this case, theater critics) wielded enormous power. A review in a daily newspaper could ruin a reputation, close a play, or elevate something from obscurity to prosperity. The film occurs in 193...

The Crying Game, the creation of Irish director/writer Neil Jordan, loosely fits into the category of a "thriller", although to saddle it with such a label is perhaps to do it a great injustice, since this immediately causes images of the Die Hard ...

Love and dance have been linked together for as long as there have been movies. Cuban Fury is the latest member of this proud tradition but it's not likely to cause many viewers to forget the classics (or even some of the not-so-classics) of the ge...