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For writer/director Steve McQueen, whose previous films have included the likes of Shame and 12 Years a Slave, Blitz represents an almost conventional turn. Although the movie includes a subtext related to the class and race divisions evident in L...

Audiences today might be tempted to label Michelangelo Antonioni’s Blow-Up as a “thriller that doesn’t deliver.” There’s some validity to that charge – if what one expects from a murder mystery is a resolution to the whodunnit? asp...

The most compelling thing about Queen has always been the music. The story behind the band, like the stories behind many bands, is a combination of the banal, the tragic, and the clichéd. For this “based on a true story” movie, the filmma...

Possible Spoilers: Although this review does not explicitly reveal the ending of the movie, there are enough insinuations that one can make some assumptions about what might happen. The Holocaust is one of the great tragedies in recent human h...

It is said that films are not made about fully functional families because their stories are inherently uninteresting. The Boys Are Back shows that dysfunction doesn't necessarily equate to compelling. There's nothing terribly wrong with this lei...

Unemployment is a bane almost everyone can appreciate -- a universal affliction that becomes a sobering reality for many people during even the best of economic times. And, while the loss of each individual job is traumatic, that's nothing com...

Terry Gilliam's Brazil is one of those films whose enduring reputation is based at least in part on events surrounding its stormy distribution history. Taken at face value, Brazil is a stinging, Strangelovian satire of the power of the bureaucracy...

Perhaps the kindest way to describe Anthony Minghella's Breaking and Entering is to say it's evident as being broken fairly early during the proceedings. There's no shortage of candidates for the fatal flaw: the artificial storyline; the presence o...

Note: This review contains spoilers. Although these relate to historical facts (since the main character is a real person), I realize most viewers won’t know about them and therefore may be “spoiled” by some of what is revealed below. Pe...

Watching Brian and Charles, I was stuck by an unassailable sense of déjà vu. The conversations between Brian (David Earl) and Charles (Chris Hayward) bear a startling resemblance to those I have with my 2 ½-year old daughter - exasperation coll...