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The first two Disneynature documentaries, 2007's Earth and 2009's Oceans, were visual feasts - amazing experiences made all the more remarkable when blown up for big screen viewing (they were distillations of TV miniseries). Since then, the label h...

It’s hard to imagine that something as vapid and chaotic as Birds of Prey (full title: Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn) transpires in the same “universe” (the DCEU) as Joker. With its John Wick-inspire...

Darren Aronofsky, who used the cheesiness of professional wrestling as the backdrop for a powerful, tragic character study, has moved behind the scenes of another kind of performance. One doesn't often think of ballet, with its graceful moves and u...

Blackberry is a classic rags-to-riches-to-rags story; a feel-good tale that transforms into a meditation on arrogance and neglect. Director Matt Johnson, working from a screenplay he co-wrote with producer Matthew Millar, brings a light touch ...

U.S. immigration laws are filled with incongruities and loopholes. In Blue Bayou, writer/director/star Juston Chon addresses one of the least-known and most egregiously unfair: that a young child adopted from a foreign country, even if his/her...

It is likely that a number of reviews are going to describe The Butterfly Effect as a "science fiction" movie. Nothing could be further from the truth - little that occurs during the course of this film relates to science or technology, and to for...

The concept of “alternate histories” has always represented a source of fascination for history buffs and science fiction fans alike. Alternate histories hone in on potential turning points in world events and postulate what might have hap...

With Can't Hardly Wait, I suppose first time directors Deborah Kaplan and Harry Elfont (whose previous credits include writing the script for A Very Brady Sequel) were trying to recapture the mood of a John Hughes '80s teen comedy. Unfortunately, ...

Three things occurred to me while watching Caught Stealing. First, it's the best work director Darren Aronofsky (Requiem for a Dream) has done since 2010’s Black Swan. Second, in addition to being set in the late 1990s, it embraces the indie film...

Despite being blessed with well-designed period sets and top-tier acting, this collaboration between Downton Abbey writer Julian Fellowes and director Michael Engler fails to take flight. I’m not one who normally issues demerits for a slow p...