ReelViews for NR movies

There are two commonly heard sayings about power. The first, "With great power comes great responsibility," sounds almost sanctimonious but represents the credo by which we expect heroic figures (such as policemen) to live. The second, "Power cor...

The middle segment of the Red Riding trilogy, Red Riding: 1980, represents the best of the three films - a taut, bleak perspective of the power of pervasive corruption. By the end of this movie, it becomes clear that the rot within the Yorkshire p...

Red Riding: 1983 brings the Red Riding trilogy to a close and, if the five-hour saga doesn't precisely conclude with a proverbial "bang," neither does it go out with a whimper. The third movie represents the middle ground between the promising-but...

There's a fine line between coincidence and contrivance, and what characterizes that demarcation has more to do with enjoyability than believability. Red Rock West, a film consigned to cable and video until a Bay Area theater decided to give it a s...

Every year, there seems to be one film that kicks you in the stomach and leaves your head reeling. In 1999, it was Tim Roth's profoundly disturbing, unforgettable The War Zone. This year, it's Darren Aronofsky's Requiem for a Dream, one of the mos...

Ride is a slickly-made thriller that takes place almost entirely within the confines of an automobile. Unlike Tom Hardy’s Locke, however, this isn’t a one-man show. In this case, there are three players and the interaction among them prov...

Stevie (Robert Carlyle) is an ex-con from Scotland struggling to start anew. In an attempt to change his life, he takes a construction job in North London where he meets an assortment of others who, in one way or another, are just like him. H...

Rio Bravo, the acclaimed 1959 Howard Hawks Western, showcases a perfectly-cast John Wayne in the kind of role he defined during his four-plus decades of appearing before the camera. Although aspects of the movie have a dated feel when viewed l...

Robert the Bruce could be seen as a sort-of unofficial sequel to 1995’s Braveheart; in both films, Angus Macfadyen plays the role of the 14th century King of Scotland. The new movie, which Macfadyen co-wrote, transpires between one and two y...

For lovers of romantic comedies through the ages, Roman Holiday remains a favorite. Despite being directed by one of Hollywood's "heavy hitters," William Wyler (The Best Years of Our Lives, Ben-Hur), and starring bankable star Gregory Peck, th...