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Ingrid Bergman won her first Oscar for portraying Paula Alquist, the vulnerable, insecure heroine of George Cukor's diabolical, atmospheric thriller, Gaslight. Bergman, essaying a much different character from either of her last two roles (Maria ...

When it won the Best Picture Oscar at the 1959 ceremony, Gigi became only the second “pure” musical (after An American in Paris) to win that award. It was a harbinger of things to come. The 1960s would become known as the decade of the mus...

The Good German, Steven Soderbergh's film noir homage, is nearly perfect when it comes to style and tone, but it concentrates so single-mindedly on the mechanics of the narrative that it loses sight of its characters. The movie meticulously steps ...

Grand Illusion looks back on the 20th century’s first global conflict from the perspective of a world on the brink of an even greater war. This film, which was cited by Joseph Goebbels as “Cinematic Public Enemy No. 1” when he sought to ...

In style, if not substance, The Greatest Showman is reminiscent of the Disney film, Newsies. Like the 1992 live-action musical, The Greatest Showman comes to life when the characters are singing or dancing but struggles through the sequences i...

Hokum is a claustrophobic horror movie that mixes supernatural elements with human immorality. Although not technically a murder mystery, aspects of that genre can be found in the bare bones of the narrative. The film's main driver is a sense of i...

Robert Downey, Sr. is an original American independent film maker. He has been at his craft for more than 30 years now -- his debut, Chafed Elbows, came out in 1965. His best known work, the trilogy of Putney Swope, Pound, and Greaser's Palace, w...

If there's a complaint to be made about Insidious, it's that the film's second half is unable to live up to the impossibly high standards set by the first half. This isn't unusual when it comes to films that include a "reveal"; even Jaws lost a sha...

Insidious: Chapter 2 illustrates that, regardless of his past success in the horror movie field, James Wan is not infallible when it comes to the genre. The second installment of what is likely to become a franchise is disappointing precisely becau...

They say the third time's the charm.  Not with the Insidious series, it isn't.  Admittedly, installment #3 is an improvement over #2, but it fails to reach the highs of the chilling-but-uneven original. Instead of using the stinger ...