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More than 30 years after its initial release, The Dirty Dozen remains one of the most popular war films ever to grace the silver screen - a reputation that not even three bad made-for-TV sequels in the late '80s could tarnish. A quintessential "gu...

Recently, Barry Levinson's career has been on the skids. After two critical and popular disasters (the overblown, overbudgeted Toys and the lackluster Jimmy Hollywood), the director is in need of a success. With this adaptation of Michael Crichton...

Disconnect, Henry Alex Rubin's meditation on how we communicate in the age of electronics and social media, is a deeply flawed motion picture containing moments of brilliance that illustrate its strong thematic content. A triptych of tales connecte...

One of the great strengths of Quentin Tarantino's films is the way his love of cinema permeates every frame. From subtle, throw-away lines and in-jokes to more obvious nods (such as the "old fashioned" Columbia logo at the beginning or the '70s-sty...

Dom Hemingway opens with Jude Law giving a bravura monologue praising the attributes of a certain body part that normally isn't compared to a Picasso or seen as worthy of winning the Nobel Peace Prize. If it was less profane, this might be highligh...

I'm sure the story of bounty-hunter Domino Harvey would make for compelling cinema if only Tony Scott had decided to film it without the masturbatory excesses that are evident in Domino. Over-the-top doesn't begin to describe Scott's off-putting, ...

Don't Look Now, Nicolas Roeg's nighmarish and atmospheric 1973 classic, takes the viewer on a winding, unpredictable trip that starts as a meditation on grief and ends as a supernatural thriller. It's a stark, tragic melodrama that veers off into ...

Al Pacino in a Mafia movie feels as natural as peanut butter with jelly. Mike Newell, the director of such popular British comedies as Enchanted April and Four Weddings and a Funeral, is another matter altogether. When you think of a director...

Donnie Darko, the debut feature from writer/director Richard Kelly, is part psychological thriller and part science fiction mystery. The title character (Jake Gyllenhaal), a teenager in his last year of high school, is suffering from all manner of ...