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Heretic is a surprisingly smart, deliciously demented horror film from the duo of Scott Beck & Bryan Woods (the original writers of A Quiet Place, whose most recent big-screen foray was the dino-fest 65). The movie features a twisted, twisty scree...

Even in his early roles, like a supporting part in John Hughes' Sixteen Candles and the male lead in Rob Reiner's delightful The Sure Thing, there was something idiosyncratic about John Cusack's work. Recently, however, this quality has become mor...

Hostiles is an occasionally shocking, sometimes disturbing, but ultimately hopeful perspective of how the deepest of racial divides can sometimes be bridged by the simplest of actions: taking the time to relate to the other person as a fellow ...

When it comes to the world of fashion, I don’t know the difference between Armani, Versace, and Gucci. To me, Tom Ford is better-known as a director. Perhaps if I had come to Ridley Scott’s House of Gucci with a stronger background in the fiel...

Hustle & Flow takes a clich? and imbues it with new life through the virtues of directorial flair and talented acting. For most of its running time, Hustle & Flow follows familiar patterns, deviating only during a third act that brings the street'...

There are those, including the distributor, who would like audiences to believe that The Ice Harvest is a comedy. At first glance, that's not so hard to accept. After all, director Harold Ramis was one of the Ghostbusters co-writers and scored a ...

Under the control of a different director, The Informant! might have been a reasonably straightforward thriller. With Steven Soderbergh at the helm, however, this has become a whimsical, semi-comedic romp, complete with a score by Marvin Hamlisch ...

The Interpreter is a cut above the average politically-based thriller. Although the events depicted in the film are fictional (as is the country in which some of the action transpires), they bear a more-than-passing resemblance to incidents that h...

In the Batman universe, there are two kinds of darkness: the surface-deep emptiness of the Zack Snyder approach and Christopher Nolan’s baked-into-the-DNA aesthetic. For the stand-alone Joker, which is said to be neither prequel nor the star...