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When it comes to making a movie based on an established IP, like a video game, filmmakers can use one of two approaches: attempt to broaden the scope with the goal of attracting a wider audience or hew close to the source material, which is mo...

This is what happens when a successful indie documentary filmmaker gets sucked in by the Hollywood system. As one can guess from the number of writers involved in this project, Four Christmases is wildly uneven, veering from screwball comedy to wo...

Furious Seven provides what viewers have come to expect from the long-running The Fast and the Furious series: a string of high-octane, physics-defying action scenes loosely connected by a narrative that occasionally makes rudimentary sense. This tim...

With a title like G.I. Jane, it would be easy to dismiss Ridley Scott's latest effort as exploitation fare. Such a reaction, however, would do the picture an injustice. On the other hand, the movie lacks the thematic depth that the film makers wo...

The better you know movies, the more appreciation you'll have for the wit and energy of Barry Sonnenfeld's Get Shorty. While it's quite possible for the cinematically unaware to enjoy this film -- it's got a fair amount of readily-accessible comed...

A few random thoughts about Ghost Rider: Spirit of Vengeance... A single viewing makes it obvious why Marvel Enterprises would move forward with the sequel to a feature whose box office performance was underwhelming. By making this film, they are r...

What happens when Hollywood marries Charles Dickens, that wacky 19th century romantic comedy scribe, to Matthew McConaughey, that wacky naked bongo drum player? To begin with, great expectations should be curbed. The result is not as good as it sho...

Gladiator is the kind of movie upon which Hollywood once built its reputation but rarely produces anymore: the spectacle. Filled with larger-than-life characters, gorgeous scenery, impressive set design, and epic storytelling, Gladiator is design...

Throughout his career, Ridley Scott has assiduously avoided sequels, making only two: Hannibal (the follow-up to Jonathan Demme’s The Silence of the Lambs) and Alien: Covenant (the sequel to his own Prometheus). Gladiator II marks the third. ...