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Don't Look Now, Nicolas Roeg's nighmarish and atmospheric 1973 classic, takes the viewer on a winding, unpredictable trip that starts as a meditation on grief and ends as a supernatural thriller. It's a stark, tragic melodrama that veers off into ...

Draft Day is a sports movie that's almost entirely about the business of sports as opposed to what transpires on the field. This isn't the first film to make that claim - Jerry Maguire and Moneyball were more about the goings-on in the front offic...

A title like "the Worst Director of All Time" virtually assures that people will remember Ed Wood, although perhaps not in exactly the way the filmmaker would have preferred. Tim Burton, with a biopic that is as much a parody as a tribute, has bro...

Ender's Game, long a staple of science fiction readers, has had a strange, winding trip to the silver screen. For many years, Orson Scott Card refused to sell the rights to the book, wanting to maintain control over the final product. This iteratio...

What do you get when you cross George Romero with The Three Stooges by way of the director of A Simple Plan and The Gift? Something offbeat, to be sure. Something grotesque, without a doubt. Something... groovy. Evil Dead II can be seen as ...

Exodus represents Ridley Scott's attempt to emulate Cecil B. DeMille. Comparisons with The Ten Commandments are both unavoidable and appropriate. Considering the mixed critical reaction to the 1956 spectacle, it is perhaps surprising that Exodus co...

The Exorcism of Emily Rose is being sold as the latest PG-13 horror movie, albeit one that deals with demonic possession instead of ghosts. In reality, however, it's a courtroom drama with a twinge of the supernatural (most of which occurs during fl...

If Expend4bles was simply hampered by lazy writing and indifferent acting, it might not matter. After all, to be fair, those descriptors fit the earlier installments of the series – The Expendables, The Expendables 2, and The Expendables 3 – an...

Fall, from director Scott Mann, makes for a great trailer. The camera soars up the length of a 2000-foot high decommissioned television antenna and, when it arrives at the top, we’re treated to the sight of someone dangling in mid-air. Had the m...