Search for The On

Bridget Jones' Diary was an unexpected delight: a witty, enjoyable trifle that touched the heart while tickling the funny bone. Sadly, Bridget Jones: The Edge of Reason isn't anywhere close to being that good. This has the feel of a movie that e...

The concept of “alternate histories” has always represented a source of fascination for history buffs and science fiction fans alike. Alternate histories hone in on potential turning points in world events and postulate what might have hap...

The Canyons opens with still photographs of crumbling, disused movie theaters - multiplexes that, as recently as a decade ago, might have been bustling sites of human congress on weekends and holidays. These images have little to do with the story ...

From Ingmar Bergman to Jodie Foster, film makers throughout the years have been fascinated by what happens when members of a dysfunctional family gather for a celebration. Inevitably, dark secrets come to light, intrigues are put into motion, old ...

Despite being blessed with well-designed period sets and top-tier acting, this collaboration between Downton Abbey writer Julian Fellowes and director Michael Engler fails to take flight. I’m not one who normally issues demerits for a slow p...

For the second installment of The Chronicles of Narnia, director Andrew Adamson has caught a severe case of Lord of the Rings-itis. While the 2005 adaptation of The Lion, the Witch and the Wardrobe kept close to the tone of the book, Prince Caspia...

As the bean counters toil, Eustace waits. So does Jill. And Polly and Digory, too. Walden Media has optioned all seven of C.S. Lewis' Chronicles of Narnia books, but whether the other six (or, more likely, five - since The Horse and His Boy seem...

The Chronicles of Narnia: The Voyage of the Dawn Treader is fantasy-lite. With its PG rating and aversion to anything shocking or overly grotesque, it's the bastard stepchild of The Lord of the Rings or Harry Potter. A dull, meandering storyline an...

With a title like The Chronicles of Riddick, one can assume that David Twohy's movie comes with lofty aspirations. Indeed, there are hints of a complex, involving story here. Unfortunately, too many of the nuances are drowned out by incessant, re...

The Color of Money is a good movie, but perhaps not a good sequel. In revisiting the shady, obsessive world of former pool shark Fast Eddie Felson (Paul Newman), Martin Scorsese provides us with a character so different from the one found in Rober...