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The early 1970s was a time of great experimentation for filmmakers. The fertile climate allowed directors like Francis Ford Coppola, Martin Scorsese, Alan J. Pakula, Steven Spielberg, and George Lucas to showcase their unique visions. Into the...

The Front Runner attempts – and partly achieves – two goals: to provide a chronicle of events leading to the downfall of one-time Presidential candidate Gary Hart and go illustrate the power of the press to do harm. While there have been n...

The Full Monty is the third recent dramatic comedy to emerge from the United Kingdom to illustrate the effects of unemployment on the individual and the family. Like Brassed Off! and The Van, The Full Monty combines humor with light drama to e...

It's ironic that a motion picture designed as mainstream, commercial entertainment in France will be viewed as an art house film during its American run. The movie in question is Patrice Leconte's The Girl On the Bridge, which made more than $20 m...

Spoilers follow, although those who have read the book won’t be bothered by them. Although The Girl on the Train is a serviceable thriller, it’s hard not to see it as something of a disappointment. As a B-movie whodunnit designed for f...

Director Andre Téchiné (My Favorite Season, Wild Reeds, Thieves, Alice and Martin) has never been shy about confronting difficult subjects in his films, as one glance at his loaded résumé will reveal. Téchiné enjoys exploring dark, complex ide...

The Girl with the Dragon Tattoo belongs to a rare genre: the literate motion picture murder mystery/thriller. (Coincidentally, I saw another good example, the Korean Mother, earlier in the week, but this one is better.) It unfolds not with the br...

The dark seeps out of the screen like living thing, evidence that The Girl with the Dragon Tattoo is more than a paycheck to director David Fincher, who has improbably affixed his own imprint on a movie that comes weighted down with possibilities a...

For several entries, the series dubbed by Warner Brothers as the “Monsterverse” has been declining into Transformers territory. Godzilla x Kong marks the point at which that dreaded barrel-bottom has been reached. A numbing excursion into CGI ...