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In The Dead Don’t Die, we get a glimpse of The Zombie Apocalypse according to hipster director Jim Jarmusch and, as one might expect, it doesn’t resemble what we have come to expect based on the movies of George A. Romero or the TV series ...

It has been noted that the film’s publicists are in a difficult position when it comes to marketing Kenneth Branagh’s second outing as famed detective Hercule Poirot, Death on the Nile. Since the pre-pandemic production completed filming, no f...

Don't Be Afraid of the Dark, a re-make of the 1973 made-for-TV movie of the same name, is a haunted house movie whose success lies in the careful manner freshman director Troy Nixey steeps everything in a surfeit of atmosphere. It overflows. It suf...

Downton Abbey: The Grand Finale, like 2019’s Downton Abbey and its 2022 sequel Downton Abbey: A New Age, is comfort food for fans. And there are plenty of them: an estimated 120 million viewers worldwide regularly watched the TV series at its...

Enron: The Smartest Guys in the Room is truly a tale for our time. Today, Corporate America may pay lip-service to the term "ethics," but the men and women at the top don't understand or care about the definition. There's only one word that means...

It has been nearly 15 years since the last time Will Ferrell was funny (Stranger than Fiction) and about a decade since the last time he has starred in anything worth watching (his surprisingly effective dramatic turn in 2010’s Everything Mu...

It's a tough thing for a dysfunctional-family-at-Christmas movie to avoid doses of melodrama, and it's fair to say that The Family Stone contains its share. But the nice thing about the movie is that it avoids overt manipulation. There's some - i...

No one could accuse David M. Evans of a lack of ambition. In The Final Season, he takes a standard sports cliché - the underdog team facing a big game - and grafts onto it countless mediocre subplots. There are so many, in fact, that it would tak...

Throughout the course of its bloated (132 minutes, sheesh) length, Greg Berlanti’s Fly Me to the Moon never figures out what it wants to be. Is it a rom-com? A screwball comedy? A parody of conspiracy theorists and their crackpot hypotheses? A v...

As one might deduce from its cheeky title, The Forty-Year-Old Version, Radha Blank’s feature debut, isn’t afraid to challenge sacred cows along the way to making its point and, more importantly, telling a story. The film works on two level...