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Quentin Tarantino didn't originate the method of blending extreme violence with dark comedy but his early films (especially Reservoir Dogs and Pulp Fiction) popularized it for today's generation. Since the early 1990s, many directors have att...

There are two kinds of thrillers - action-oriented endeavors such as those popularized by James Bond and Jason Bourne, and slow-burn motion pictures that rely less on pyrotechnics and gadgets and more on psychology. The American belongs in the lat...

Without a doubt, the majority of the reviews of Amores Perros, the acclaimed debut feature from Mexican filmmaker Alejandro González Iñárritu, will, at one time or another, invoke Pulp Fiction. There are undeniable similarities, although most o...

With its whiplash-inducing tonal inconsistencies and sloppily assembled narrative, Amsterdam often feels like a pastiche of (take your pick) Monty Python, The Coen Brothers, or Wes Anderson grafted onto a crime caper/espionage thriller with a ...

Anatomy of a Fall is an uncommonly perceptive and thought-provoking procedural. Because the movie transpires in France and works using the rules of French jurisprudence, it is better able to address questions of truth than a U.S.-based iteration o...

Watching Angel provides a window into the dregs of a long-dead genre: the low-budget exploitation thriller. Although this sort of film didn’t make it past the mid-1990s, it thrived during the 1980s when it was often used to fill out drive-in dou...

It’s not surprising that Angel Has Fallen exists. The first film in the series, Olympus Has Fallen, performed well enough ($100M domestic; $170M worldwide) to justify a sequel. London Has Fallen opened three years later to a less enthusiasti...

The term "godawful" should be used sparingly in connection with motion pictures. With Angels & Demons, however, it seems oddly appropriate. Not only does this prequel-turned-sequel to The Da Vinci Code make its predecessor seem like a masterw...

You don’t have to look too far or to deep to find the similarities among writer/director Andrew Niccol’s three science fiction films (I’m ignoring The Host, which is more Stephanie Meyer than Niccol). Like Gattaca and In Time, Anon boas...

When it comes to simple favors, the last thing that we need is another one. It would have been different if the first film, 2018’s A Simple Favor, had been deserving of a sequel rather than being just another failed comedy/thriller that only a fe...