Movies starring Dan

With its skinny running length (80 minutes, including credits), often incoherent narrative, and neutered violence, Jonah Hex shows all the signs of having been re-worked in the editing room. The resultant production, as is often the case in situat...

There’s no debating that Journey to Italy (also commonly called Voyage to Italy – the official Italian title is Viaggio in Italia) is an important film, but is being “important” enough to make a motion picture “good?” Loosely based...

Journey to the Center of the Earth is the first live-action feature to take advantage of the new digital 3-D technology. However, in generating what amounts to a 90-minute theme park ride, the filmmakers lost track of the need to tell a compelling...

December 1914. World War I is not even five months old, and already the high spirits with which it started are eroding. Generals and leaders still voice the opinion that it's going to be a short war, but the men in the trenches doubt this. Yet, ...

To what extent has the narrative surrounding the Black Panthers been developed by government and law enforcement agencies whose impartiality has been, to put it mildly, suspect? Although it’s beyond question that the Panthers weren’t compr...

Perhaps there are interesting directions in which the filmmakers could have taken the Jumanji series – after all, the 2017 reboot, Jumanji: Welcome to the Jungle, was vast improvement over the mid-1990s original. Unfortunately, driven by Hol...

The new Ivan Reitman/Arnold Schwarzenegger comedy is a one-joke affair, and it takes surprisingly little time for the potential humor in the situation to wear thin. As a result, the viewer is left with about ninety minutes of suffering through S...

The only thing that separates Jurassic World: Fallen Kingdom from the lamentable Jurassic Park III is that the filmmakers of the newest sequel didn’t opt for cheap production values the way they did back in 2001. Both films feel tired an unin...

Just Mercy is the kind of high-minded tale about social injustice that often opens around this time of the year. Despite the whiff of “Oscar bait” surrounding the production, it’s a well-made, affecting tale about do-gooders who do good ...

No one can accuse Martin Scorsese of not moving with the times. His latest production, Killers of the Flower Moon, follows in the footsteps of The Irishman in recognizing that the bulk audience will stream the film at home. So, although Scorsese h...