Search for Adventure

Seen in IMAX 3-D. The fourth Pirates of the Caribbean movie represents a perfect encapsulation of what the summer sequel tent-pole has become: a half-baked casserole of recycled elements from past installments of the franchise tossed together wi...

For those taking a global view of Pirates of the Caribbean: The Curse of the Black Pearl, it's very easy to be cynical. This is, after all, cross-promotion at its most blatant. What could be more marketable that one of Disney's most popular theme...

Pokemon: Detective Pikachu isn’t a movie. It’s a cog in a multibillion-dollar media empire, a soulless feature-length example of product placement at its most blatant. The so-called “film” never bothers to tell a story worth telling or...

Pompeii is a big, glorious, cheesy mess. A fusion of Gladiator and Dante’s Peak, it can’t decide whether it wants to be an action film about coliseum combatants or a disaster flick. Predictably, by trying to be both, it ends up being good as ne...

Porco Rosso is an outlier in the early canon of master Japanese animator Hayao Miyazaki – too dark and ambiguous for young children and too uneven for older viewers. Although superior to all but the best American-made animated motion pictures of...

Irwin Allen would be proud. Poseidon is a throwback - a 1970s-style disaster film made with 2006-era special effects. The movie delivers in most of the ways that matter for a motion picture of this ilk, with Poseidon never trying to be something ...

Predators is Robert Rodriguez's attempt to re-invigorate (but not reboot) the Predator franchise, whose devaluation began with an ill-advised sequel, accelerated as a result of the poorly realized Alien vs. Predator, and bottomed out with the lifel...

In the wake of a successful endeavor to transform a popular Disney theme park attraction (Pirates of the Caribbean) into a motion picture blockbuster, uber-producer Jerry Bruckheimer has now turned his attention to a well-received video game series...

German filmmaker Tom Tykwer first gained a measure of international recognition in 1997, when his second feature, Winter Sleepers received attention outside of his native Germany. Then came the 1998 Toronto Film Festival and the debut of Run Lola ...

Chen Kaige's The Promise is a beautiful film, filled with stylized, CGI-enhanced foregrounds and backgrounds that look like they were lifted directly from fairy tale-inspired paintings. There's not much about the look of The Promise that's realist...