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Nocturnal Animals employs one of the most inventive uses of neo noir tropes and techniques I have seen in recent years. Intense, insightful, and strangely powerful, Tom Ford’s adaptation of Austin Wright’s novel, Tony and Susan, assumes a...

To find Nomadland, all one has to do is locate the place where the documentary intersects with the feature film. Based on the non-fiction book by Jessica Bruder, writer/director/editor Chloe Zhao has added form and texture by presenting this j...

Rob Reiner has had an amazing string of hits. His resume dotted with such critical and popular successes as This is Spinal Tap, The Sure Thing, When Harry Met Sally, Misery, and A Few Good Men, Reiner has transformed his Meathead image into that o...

In the tradition of Norma Rae and Silkwood, North Country is the story of one woman's struggle against an inflexible corporation. Despite some third-act flaws that weaken the conclusion, North Country does what it sets out to do: inspire and uplif...

Like Shakespeare's Hamlet and Mary Shelley's Frankenstein, Bram Stoker's Dracula is one of those stories that is re-made on a fairly consistent basis. If you don't like the latest incarnation of the count, wait a few years and there will be anothe...

I have not read Nicholas Sparks' The Notebook, but I have heard good word-of-mouth about the novel. Sadly, the elements that made the book special did not survive the transition to the screen. The Notebook, as adapted by Nick Cassavetes from a sc...

Notes on a Scandal is an attempt to make a Fatal Attraction type thriller for the art house crowd. With a cast that features two of today's best actresses - Judi Dench and Cate Blanchett - and a screenplay of uncommon literacy, the movie nearly ac...

The November Man feels like just about every B-grade spy thriller that has ever been committed to the silver screen. With a slipshod narrative that could be mistaken for diluted Ludlum, Deighton, or Le Carre, The November Man provides us with an op...

2013’s Now You See Me wasn’t just about showmanship and misdirection, it was showmanship and misdirection. Brought to the screen by the sure hand of director Louis Leterrier, this was a triumph of style over substance - a flashy, fast-pac...

Eddie Murphy does not make "comebacks", because, according to him, he hasn't been out of the spotlight. But, following three critical and box-office flops (The Distinguished Gentleman, Beverly Hills Cop III, and Vampire in Brooklyn), Murphy is hop...