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Stardust, based on the acclaimed illustrated novel by Neil Gaiman and Charles Vess, takes viewers to the mystical land of Stormhold, where stars walk, ships fly, and magic is real. A fantasy in the tradition of The Princess Bride, Stardust leavens...

Whenever a motion picture tackles a literary classic of any genre, fans of the written work hold their collective breaths, hoping for the best, but dreading the worst. On rare occasions, something like The Godfather emerges -- a movie that not onl...

The mining of old television shows continues, and, while one wouldn't expect much from a movie version of the vintage late-1970s TV cop series, Starsky and Hutch, this is one time when the filmmakers have uncovered some surprisingly rich ore. The ...

Starter for 10 is a mildly enjoyable romantic comedy that stays within the safe bounds of the genre's formula. This is a British film, which may make it feel a little quirky to American viewers. The problem with it, to the extent that there is a pr...

Starting out in the Evening is as much a meditation on the craft of writing as it is a May/December romance. It's a gentle, unhurried drama about how people can connect with each other through conversation, nonverbal gestures, and writing. The pa...

The three screenwriters (Matthew Michael Carnahan, Tony Gilroy, Billy Ray) credited with adapting Paul Abbott's mini-series into a motion picture have done something remarkable: reduce five hours of material into less than two hours and still produ...

The passage of time has labeled 1983’s Staying Alive as a turkey, but the contemporaneous view (at least to Paramount’s bean counters) was somewhat different. Although critics lambasted the movie upon its release, with Roger Ebert giving an es...

Stepmom is the kind of bad movie that can be blamed on just about everyone involved except, perhaps, the actors. There's nothing wrong with any of the performances, although they're wasted in the service of inferior material. The script is a mish...

When considering Steve Jobs, the first thing to recognize is that this isn’t a bio-pic. Oh, the movie uses Jobs’ life as the basis of its story and cherry-picks facts and reminiscences to form the skeleton. But screenwriter Aaron Sorkin a...

There's no shortage of literature and cinema about human beings afflicted with Alzheimer's or some form of dementia. The near universality of the caregiver's experience, one of the most painful trials any person can be asked to endure, is one reaso...