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Ron Howard is unquestionably an A-list director, and his credentials are impeccable. When a filmmaker of Howard's status has a movie tossed into theaters during garbage time (January/February or August), it results in raised eyebrows and generates ...

There's something a little "off" with Dinner for Schmucks. The premise, borrowed from Francis Veber's 1999 French farce, The Dinner Game, hasn't improved significantly as a result of its translation into English. The film is sporadically amusing ...

It must be that I just don't get French humor, or at least not of the sort that attracts French movie-goers to theaters like bugs to bright lights. Several years ago, The Visitors became one of the top homemade box office successes in French histo...

Dirty Deeds boasts a passably entertaining idea that is butchered in the telling. The underlying premise offers the opportunity for some Animal House/American Pie/Revenge of the Nerds-style entertainment, but the unfunny screenplay and inadequate ...

With a title like Dirty Rotten Scoundrels, one shouldn’t expect to take the movie seriously and that’s the attitude the filmmakers anticipated audiences to have. A comedy caper that relies more on the charm of its stars than the twistiness...

It can be convincingly argued that John Waters' oeuvre is an acquired taste. If that's the case, I haven't yet acquired it. I view Waters as a pre-adolescent male in a state of arrested development. He is obsessed with what kids snickeringly ref...

When it comes to the pantheon of the Worst Movies Ever Made, there are only a few challengers to the title claimed by Plan Nine from Outer Space. One of those is Tommy Wiseau’s universally derided 2003 debut feature, The Room. Instead of fad...

Of course, Dodgeball isn't a true underdog anything, but that's all part of the joke. A blistering satire of feel-good sports movies, this film makes its mark via the most direct route: it lampoons by adopting the tried-and-true "straight" formul...

Dolemite Is My Name isn’t only a biopic of the comedian/actor/musician Rudy Ray Moore, it’s Eddie Murphy’s Valentine to one of the most outrageous figures in ‘70s Blaxploitation films. Murphy has long desired to make a movie about Moor...

Dom Hemingway opens with Jude Law giving a bravura monologue praising the attributes of a certain body part that normally isn't compared to a Picasso or seen as worthy of winning the Nobel Peace Prize. If it was less profane, this might be highligh...