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Universal Pictures is touting In Good Company as being "from the producers of About a Boy." While that's a true enough statement, let's not forget that the team of Chris and Paul Weitz were also responsible for the popular American Pie series. Th...

Sometimes it's only through the greatest of tragedies and the gravest of injustices that human beings learn to relate to each other honestly and openly. Nowhere is this more apparent than in Jim Sheridan's searing In the Name of the Father, where ...

Possible Spoilers: This review reveals some of the cameos in The Incredible Hulk. Those who wish to be surprised by these appearances would do well to stop reading now. For five years, Marvel has been trying to figure out what to do with one of ...

Inside Deep Throat, a documentary from directors Fenton Bailey and Randy Barbato, is passably interesting, occasionally compelling, sporadically amusing, and badly lacking in focus. Although the film starts out with a clear thesis, by the time its...

With so much talent involved - both in front of and behind the camera - one has a right to anticipate something special from Inside Man. Does it deliver? Spike Lee's latest joint is a workmanlike thriller that provides solid performances; a mixtur...

This is what horror has become in 2018: a jump-scare fest where things like suspense and slowly-building dread have been pushed to the side. Darkness passes for atmosphere and intensity is bypassed because it’s too strong for the all-importa...

The Interpreter is a cut above the average politically-based thriller. Although the events depicted in the film are fictional (as is the country in which some of the action transpires), they bear a more-than-passing resemblance to incidents that h...

For whatever reason, the Coen Brothers' comedies (such as Raising Arizona, The Hudsucker Proxy, and The Big Lebowski) have always garnered less critical attention than the filmmakers' more serious fare (such as Blood Simple, Barton Fink, and Fargo)...

Aside from the title, the basic concept, and the use of the surname “Griffin,” Leigh Whannell’s “reboot” of The Invisible Man bears little resemblance to the 1933 classic Universal monster movie and even less resemblance to the 1897 ...

For Nancy Meyers, whose Hollywood career began with screenplay and producer credits for Private Benjamin and whose first stint behind the director's chair occurred in 1998 with the Lindsay Lohan remake of The Parent Trap (back when Lohan was still ...