Movies in the Horror genre

A noir horror movie of the most un-classic kind, Brad Anderson's The Machinist takes you into the unstable mind of an insomniac with a dark secret whose life has become a bleak emotional wasteland devoted only to going through the motions of workin...

Mama follows an unfortunate recent pattern that has emerged in low-budget horror films, especially those with PG-13 ratings. It starts out strongly, using evocative visuals and an unsettling backstory to establish a creepy tableau, but it proves un...

When watching something like Mary, it’s useful to remember that actors, like all of us, have mouths to feed and bills to pay. That’s why an Oscar winner like Gary Oldman and a respected actress like Emily Mortimer can find themselves adrif...

"In the last 20, 30 years, [Frankenstein has] been claimed by a whole generation of academics and scholars as a seminal piece of literature of that time. [It's] something which now, post-Freud, they feel reveals so many observations about family l...

Master takes its inspiration from Jordan Peele’s 2017 feature, Get Out, which used horror as a framework for a deeper examination of systemic racism, but the methods employed by writer/director Mariama Diallo, making her feature debut, are less ...

Men is Alex Garland’s third film, following in the wake of Ex Machina and Annihilation. It is his least accessible production to-date, venturing into the psychotic horror hinterlands where movies like Darren Aaronofsky’s mother! reside. It’s...

I define a "boo!" moment as an instant in a movie when there is a loud sound, usually accompanied by a musical stinger and occasionally in concert with the fast pass of an unidentifiable object across a portion of the camera's field of view. The i...

Ari Aster, the director of Hereditary and Midsommar, has described his brand of filmmaking as “existential horror.” To be sure, it’s a much different breed of the genre than one typically finds in multiplexes, trading in jump scares for ...

When it comes to horror films, there's one basic principal to consider: consistency means everything. A movie can deviate as much as the filmmakers like from the laws of the real world as long as they establish and adhere to an alternate set of ru...

The Mist is what a horror film should be - dark, tense, and punctuated by just enough gore to keep the viewer's flinch reflex intact. In fact, that movie's ending is so uncompromising that one must assume director Frank Darabont had final cut so t...