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It's almost a shame that A Bug's Life is debuting so close in the wake of Antz (although, to be fair, the latter film was the first to enter production). No matter when the Pixar/Disney production reached theaters, comparisons between the two comp...

The main problem with Coach Carter can be summed up simply: too much sermonizing. In a way, it's hard to fault the film, because its heart is in the right place. The movie wants to impress upon teenagers that education is the first step on the pa...

Cop Out is Kevin Smith's first foray into mainstream action/comedy entertainment and the first time he has directed a film he did not write. This is evident - although there are a few ribald moments to be found sprinkled throughout, the movie's hu...

Spoiler Warning: I’m not 100% certain what constitutes a “spoiler” for this film and what has been revealed in the trailer and/or pre-release publicity. However, it’s difficult for me to engage in a coherent discussion of the movie wit...

Dumbo is a perfectly adequate family film. While that may seem like damning with faint praise, keep in mind that this movie was never considered to be among Disney’s 2019 big guns. It fills a niche and does so nicely with a style and approac...

The 2009 version of Fame, which represents the feature debut of director Kevin Tancharoen (who has a few TV credits to his name, including the series "Dancelife," and was involved in a Britney Spears tour), uses the 1980 movie of the same name as i...

The best things – or at least the most memorable ones – in The Flash are rooted in fan service and nostalgia. The movie, although too long by about 45 minutes, is enjoyable on that level. With a tone that skews closer to that of Shazam! than M...

Fletch is an excellent case study about how something that may have worked in the 1980s no longer works today. Chevy Chase’s slapstick antics, a screenplay tailored to his improv routine, and cheap production values make it hard to understan...

Let me begin this review of the 2016 Ghostbusters remake by pretending there was no 1984 iteration. How enjoyable would the film be if it didn’t have such enormous baggage, if it didn’t emerge under the long shadow of a beloved predecesso...

Get ready for a deep dive into nostalgia. Ghostbusters: Afterlife, although boasting a next generation of Ghostbusters, works best for those who have seen (and at least somewhat remember) the original two Ivan Reitman films from the ‘80s. Althou...