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Maybe there's some truth to the assertion that Alice Sebold's novel is unfilmable. After all, if a visionary like Peter Jackson, who crafted a nearly perfect cinematic adaptation of The Lord of the Rings, can't do it, who can? Perhaps the issue i...

A single phrase might be all that's necessary to review The Lucky One: "A Nicholas Sparks movie." Sure, Scott Hicks (Shine) is the director and Will Fetters (Remember Me) gets a screenplay credit, but the average movie-goer who settles into a theat...

A noir horror movie of the most un-classic kind, Brad Anderson's The Machinist takes you into the unstable mind of an insomniac with a dark secret whose life has become a bleak emotional wasteland devoted only to going through the motions of workin...

The infamous background about the post-production woes of The Magnificent Ambersons is perhaps as interesting as the story told in the film. And, to add flavor to an already-spicy dish, movie critics and historians, in their zeal to lionize legendar...

The Maltese Falcon is among the most important and influential movies to emerge from the Hollywood system - as significant in some ways as its contemporary, Citizen Kane. In addition to providing the cinema with a new kind of private investigator ...

I’ve long since given up asking the question “Why?” when it comes to filmmakers turning to foreign language films for the storylines of new English-language films. Sometimes, in fact, the results can be quite satisfactory – take the 2022 r...

Few will argue that The Man with the Golden Gun is the silliest of all the James Bond motion pictures (Casino Royale excepted). From the return appearance of Sheriff J.W. Pepper (Clifton Davis) to the ridiculous martial arts fight where two s...

As remakes go, The Manchurian Candidate is better than most. It remains faithful to the premise and themes of the original, but, by avoiding a slavish re-interpretation, it offers some surprises to those who are familiar with the 1962 version. Ye...

WARNING! Heavy spoilers ahead! Beginning with the fifth paragraph, this review reveals details about key plot points and the endings of both Jean de Florette and Manon des Sources. Proceed at your own risk. Although released with a three mon...

Martian Child wants to make us cry. It nearly made me gag. This is an exercise in shameless and inept emotional manipulation. The film doesn't try to hide what it's doing. If you don't cry, it hasn't worked. There's not a single genuine human e...