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When it comes to tales about the hand's opposable digit, there have been Thumbelina, Tom Thumb, and now Thumbsucker. A quirky character piece that could just as easily go by the title of Ritalin Nation, Thumbsucker boasts a strong character arc, s...

Time and time again throughout Terry Gilliam's career, the director has been forced to endure studio interference. According to executives at some of the companies that have distributed the former Monty Python animator's films, his creative vision...

The Time Traveler's Wife is a conventional adaptation of an unconventional novel. That's not necessarily a bad thing - screenwriter Bruce Joel Rubin and director Robert Schwentke (Flightplan) impose structure on a story that, in Audrey Niffenegger...

For decades, the spy thriller has been dominated by one name: Bond. 007's trappings, which include pyrotechnics, high-octane chases, death-defying stunts, gorgeous women, and the like, have come to define the genre. While it's unquestionable that I...

Following the disastrous Even Cowgirls Get the Blues (my selection for the worst film of 1994), it's a safe bet that Gus Van Sant's next move had to be a proverbial "step in the right direction." In fact, with the biting satire To Die For, the dir...

Despite boasting an impressive roster of talent both in front of and behind the camera, To Have and Have Not remains a "lesser" film on Humphrey Bogart's resume, often euphemistically referred to as a "minor" or "overlooked" classic. Labeling...

An astonishing motion picture by any standards, To Kill a Mockingbird only failed to win a Best Picture Oscar because it was in the running against Lawrence of Arabia. The minimalist might call this a "courtroom drama", but that would be selling t...

"I believe that for a long time now Chinese films have been too abstract, conceptual, gimmicky. They don't relate at all to the lives of ordinary Chinese people. I'm certain that most audiences will like this film. We haven't gone overboard on t...

When one considers the films that won the Best Picture Oscar in the decade from 1956 through 1965, it’s evident that the Academy favored two kinds of productions: spectacles and musicals. During that span, there were two outliers: 1960’s T...