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At the time of its 2001 release, expectations were high, perhaps unreasonably so, for A.I., the first – and only – movie to bear the monikers of cinematic heavyweights Stanley Kubrick and Steven Spielberg. Yet, while A.I. is consistently i...

Here's one important rule about film criticism and review writing: the harder you have to think to find something noteworthy or laudable about a motion picture, the less likely it is to get a recommendation. So, although there are some things to ...

Usually, the problem with romantic comedies is that, although the "romantic" part of the equation works, the "comedy" aspect falls flat. With Along Came Polly, it's the other way around. The film, written and directed by John Hamburg (Safe Men), ...

Warning: This review contains spoilers.The word “epic” is thrown around carelessly when discussing motion pictures. With its sprawling tapestry and mini-series length, Edward Yang’s obscure (at least in the West) 1991 gangster drama, A Br...

A serious Oscar contender at a time when issues of racial interaction hold a prominent spot in the daily news cycle, Green Book is an Odd Couple­-structured motion picture with a strong overlay of social conscience. Although limited in how gr...

One could easily make the argument that How to Lose a Guy in 10 Days is a perfectly acceptable diversion. Kate Hudson's Andie Anderson and Matthew McConaughey's Ben Barry are both affable individuals and, when the script allows it, there are fitfu...

I've Loved You So Long is a meditative French drama about awakening from a metaphorical death. It's about how a shared past can inform present expectations and about whether relationships can bridge a gulf of years and extend beyond a tragedy that...

Sometimes, it is said, truth is stranger than fiction. And, as director Garth Davis has perhaps discovered, filming such truths can be more difficult than filming fiction. Lion, based on the autobiographical tale of Saroo Brierley, tells of the autho...

When I see a romantic comedy, I’m not expecting Ozu or Bergman or Truffaut or Scorsese. All I want – and I think it’s a perfectly reasonable desire considering the genre – is to fall in love with the characters as they fall in love wit...

As a romance, a drama, or even a sports movie, The Longest Ride never reaches a satisfying destination. With its confused, sometimes-contradictory themes and scattershot love story aspirations, the film never gains traction on the shifting sands of i...