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One would be justified in approaching Music and Lyrics with a certain amount of skepticism, considering that its writer/director, Marc Lawrence, is perhaps known for foisting two Miss Congenialitys upon the world (although to be fair, he didn't dir...

Anne Fontaine's Nathalie... has taken 2 1/2 years to attain U.S. distribution, and even that will be just a limited peek in select art house venues before a quick turnaround onto DVD. (A medium in which it has been available in France since 2004.)...

It's increasingly unusual that a thriller can claim to maintain its intensity for the entirety of its running length. No Escape is masterful at keeping the stakes high without confounding our so-called "suspension of disbelief." Unlike ...

Rob Reiner has had an amazing string of hits. His resume dotted with such critical and popular successes as This is Spinal Tap, The Sure Thing, When Harry Met Sally, Misery, and A Few Good Men, Reiner has transformed his Meathead image into that o...

The November Man feels like just about every B-grade spy thriller that has ever been committed to the silver screen. With a slipshod narrative that could be mistaken for diluted Ludlum, Deighton, or Le Carre, The November Man provides us with an op...

Official Secrets disrobes a scandal that received scant coverage in the U.S. media when it occurred some 15 years ago. Although hampered somewhat by a fragmented and procedural structure, the film nevertheless makes a compelling argument that ...

The Omen is regarded as a horror classic, although I have never been able to figure out why Richard Donner's second-rate exploitation flick has been accorded such a lofty status. Since the 2006 re-make is almost identical to its predecessor (even ...

What is the difference between a bad melodrama and a good one? The key lies in the emotional response. If the viewer feels that he or she is being forced into reacting in a particular way because of "button pushing," the film makers have erred. ...