ReelViews for PG-13 movies

A staple of high school literature classes, Romeo & Juliet has proven no less popular with filmmakers, who return to this classic on a regular basis. The problem with making a new version of Shakespeare's most read romance is that, like Hamlet, the...

In Looking for Richard, actor/director Al Pacino expresses his great hope for his film -- to extend his enthusiasm for the Bard's plays to a broader audience. In a very different way, that's what Baz Luhrmann (Strictly Ballroom) is attempting to d...

Rules Don’t Apply is a strange, schizophrenic sort of movie. Despite moments of emotional strength and bursts of quirky comedy, the film is undone by its generally lethargic tone and the film’s insistence to shift its focus from the putat...

Rumor has it that Rumor Has It… experienced a rocky production history. First-time director Ted Griffin was removed from his position just as production was beginning, necessitating an eleventh-hour change. The cinematographer was replaced, all...

Based on the evidence at hand, one has to assume the missing ingredient is Edgar Wright. Wright, the co-writer and director of Shaun of the Dead and Hot Fuzz, is nowhere to be found in the credits list of Run Fatboy Run. Instead, on this occasion...

It has been a while since Hollywood has produced a bona fide action hero, but it appears that one has finally emerged. Look out Vin Diesel, because the Rock appears ready to roll. He is the Schwarzenegger of the 2000s with a comprehensible accent....

Considering his recent surge in American popularity, it was all-but-inevitable that Jackie Chan would eventually show up in a big-budget Hollywood action picture. (He hasn't been in one since he did the Cannonball Run films back in the early '8...

While the rules of the buddy/action comedy are significantly different from those of the romantic comedy, one key ingredient is common to both popular genres: that of chemistry between the leads. Unfortunately, while both motormouthed Chris Tucke...

It's hard to think of a sadder commentary about Hollywood's sequel fetish than the existence of Rush Hour 3. Dull, uninspired, and redundant, this third pointless movie in an action/comedy franchise that defines mediocrity doesn't even try to disg...

It's pointless criticizing a Nicholas Sparks movie for being a Nicholas Sparks movie. Sparks, like Barbara Cartland before him, delivers exactly what his fans want: romance between two attractive people. He tugs at heartstrings, acts like an onion ...