ReelViews for R movies

In transitioning Sex and the City from the small screen to the big one, filmmaker Michael Patrick King (who was also one of the HBO show runners) chose not to make the movie inclusive. This is for the fans, and only for the fans. Those who lived a...

"Movies for fans" (as distinguished from "fan-made movies") - motion pictures targeted primarily at aficionados of a series and secondarily at the public - have been around for decades, but never has one been as openly dismissive of the general mov...

Sometimes, even a hardened critic can be surprised by a movie. Based on the promotional material, Sex Drive appears headed down the worn track followed by a long line of formulaic teenage road comedies. I won't bother listing the titles - those w...

Two fundamental problems afflict Sex Tape (aside from the fact that it's not consistently funny): a shocking ignorance about the state of modern technology and a mistaken belief that the subject matter is inherently edgy. The screenplay is disappoi...

The oddly-titled Sexy Beast (oddly titled because neither of the main characters is sexy, although both are certainly beasts) focuses on a husband's determination to honor a promise he made to his wife. The movie, the debut effort from British dir...

Shadow Conspiracy marks Charlie Sheen's second consecutive conspiracy thriller. Of course, there are several notable differences between this and The Arrival, the most obvious of which has to do with basic quality. For, while last summer's alien ...

Shaft (2019) is the third film to bear that name, following a 1971 movie and a 2000 reboot/sequel. It’s the fifth film in a series of sorts (there were a total of three movies in the 1970s to go along with a short-lived TV series), but the S...

In 1998, there have been two films about space debris on a collision course with Earth, two animated insect movies, and now two tales about life during the reign of Queen Elizabeth. Granted, there's a yawning chasm in tone between the dark, treach...

A couple of cliches come to mind while watching Danny Boyle's deliciously diabolical feature debut, Shallow Grave. The first -- that money is the root of all evil -- is obvious. The other -- that it's always the quiet ones who bear the closes...

Although Guillermo del Toro was never given the opportunity to bring his vision of The Hobbit to the screen, movie-goers over the years have not been deprived of his brand of horror-tinged fantasy. With his latest, the story is a variation on ...