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Upgrade, the exploitation-influenced stepchild of Payback and Robocop, is the latest creation from Leigh Whannell, the influence behind Saw and Insidious. Working without the James Wan safety net, Whannell proves adept at providing sufficien...

V for Vendetta represents 2006's first memorable motion picture - a visually sumptuous concoction that combines political allegory, bloody action, and a few stunning cinematic moments into a solid piece of entertainment. While it's true that the f...

Vengeance tries for something different and succeeds. But, although screenwriter/director B.J. Novak swings for the fences, he doesn’t quite get the ball out of the park. This Blumhouse production marries fish-out-of-water elements with some phi...

"Even a man who is pure in heart and says his prayers by night, may become a wolf when the wolfbane blooms and the autumn moon is bright." If there’s another quote more closely associated with movies having “Wolf Man” in the title, I don’t...

Is there romance in the afterlife? Does the heart still burn with yearning after it no longer beats? Wristcutters: A Love Story, with a title that easily passes the "truth in advertising" test, would like us to believe so. While the landscape may...

Emerald Fennell’s Wuthering Heights opens with a promise the rest of the film is ultimately unable to keep. It begins with the spectacle of a mid-19th-century public hanging—an event that conflates death with lust, instantly drawing the vi...

As a writer by trade (at least before he started directing), David Koepp should know that a good ending is at least as important as a good beginning, if not more so.  You Should Have Left, a haunted house movie that doubles as an homage to St...