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Oh, Hi! can best be described as an interesting failure. The underlying idea seems promising: start out the movie as a standard-order rom-com then shift into Misery territory. Make the whole thing a dark, twisted comedy that offers commentary on t...

The marketing for Ophelia needs only one sentence to describe the film’s mission statement: “A re-imagining of Hamlet, told from Ophelia's perspective.” Although an intriguing way to deconstruct and reassemble a story familiar to most pe...

We have reached the Season of Natalie Portman. With no fewer than six movies due to be released within a six-month period (Black Swan, The Other Woman, No Strings Attached, Hersher, Your Highness, Thor), a confirmed Golden Globe nomination (and pro...

In the middle of the summer movie season, when most films are designed with the intelligence of a seven year-old for viewers with the attention span of someone even younger, it's refreshing to find a picture like Out of Sight, which is not only...

If you want an insightful movie about the grieving process, check out Grace Is Gone, which explores how a suddenly single father must cope not only with the loss of his wife but must face telling his daughters that their mother is not coming home. ...

Is this the future of blockbuster movies? Films made with more concern for the international box office than the domestic one, where the universal language is the clash of pixels? It’s no secret that, based exclusively on its U.S. receipts, ...

With a title like Pain & Gain and Michael Bay at the helm, this review looked like a great opportunity for a vitriolic screed, but that's not going to happen. Defying expectations, Pain & Gain not only represents one of the best movies Bay has made...

It never fails to amaze me that something as essentially light and pointless as Disney's remake of The Parent Trap can clock in at over two hours in length. This is one of those movies that has difficulty sustaining any kind of comic or dramatic m...

What is the difference between a bad melodrama and a good one? The key lies in the emotional response. If the viewer feels that he or she is being forced into reacting in a particular way because of "button pushing," the film makers have erred. ...

After stumbling through a lackluster first 30 minutes that features all the tepid humor one might reasonably expect from a mediocre comedy, Paul Blart: Mall Cop does something unexpected: it becomes watchable, perhaps even passably enjoyable. That...