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I'm sure the story of bounty-hunter Domino Harvey would make for compelling cinema if only Tony Scott had decided to film it without the masturbatory excesses that are evident in Domino. Over-the-top doesn't begin to describe Scott's off-putting, ...

(Insert appropriate remarks about how Doom is the perfect name for this motion picture.) Although I am not averse to wasting a few hours playing computer games, I have never tried my hand at Doom. Judging by sales figures and testimonials, play...

When it comes to spy thrillers, Tony Gilroy knows the game. The formula for a crackling entry into this genre is simple enough: keep the action moving and the twists coming, then engage in one late innings sleight of hand that pulls the rug out fr...

When reviewing The Emoji Movie, “poop” is definitely appropriate. Or a frowny face. Or both.Oh, I suppose it’s not as bad as all that. After all, if one considers that this was made with the 7-10-year old group in mind, it passes muster....

The release of Eraser begs the question: haven't there been enough action films already this summer? With the likes of Twister, Mission Impossible, The Phantom, Dragonheart, and The Rock floating around, do we really need Eraser? Probably not, b...

Over the course of a career that has spanned nearly 50 years, Steven Spielberg has often worked with children but this represents the first time he has attempted a coming-of-age story. What’s more, this isn’t any coming-of-age story, it’s ro...

With a title like Faster, it has to be a balls-to-the-walls action flick, right? Although that's how George Tillman Jr.'s feature is being marketed, that's not what it is. Faster is a revenge thriller that's more interested in delving into the da...

With a sly wit and a dark edge, director Yorgos Lanthimos plunges into the murky waters of early 1700s British politics, where few positions were more enviable and less stable than being the queen’s favorite (or, in Brit-speak, “favourite�...

It's too bad the title The Good, the Bad, and the Ugly was already taken, because it would have been the perfect moniker for Fear and Loathing in Las Vegas, Terry Gilliam's adaptation of Hunter S. Thompson's book (emphasis on "the bad and the ugly"...

Freakonomics is a most atypical documentary indeed. Comprised of a collection of shorts by noted filmmakers Morgan Spurlock (Super Size Me), Alex Gibney (Taxi to the Dark Side), Eugene Jarecki (Why We Fight), Seth Gordon (The King of Kong), and He...