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The Bourne Supremacy is a serviceable thriller - no more, no less. This may come as a disappointment to those anticipating something on the same level as the surprise hit 2002 movie, The Bourne Identity. Sadly, the cinematic second installment of...

If nothing else, The Bourne Ultimatum represents the best of 2007's inordinately high number of so-called "threequels." Hopefully, that's not damning with faint praise. The Bourne Ultimatum, the third in the movie trilogy loosely based on Robert...

Take a real-life feel-good story about personal heroism and use it as the basis for a generic screenplay. Lather on some prestige. Hire an Oscar-winning actress and a bunch of supporting performers with nominations on their resumes. Promote the ...

Crimson Tide is a white-knuckler with a cop-out ending. It's a thrill-a-minute ride that concludes with a whimper, like a roller-coaster that has all the drops and twists early. Make no mistake, this is a good source of early summer fun, but with...

Taking a page out of the Maleficent handbook, Disney has decided to take another of its iconic villains – in this case, Cruella DeVil – and provide her with an origin story that recasts her as a misunderstood victim rather than one of the ...

Romantic comedies are a dime-a-dozen, and most of them fail because they pursue slapstick while losing sight of the characters. Because The Cutting Edge doesn't fall into that trap, it results in an enjoyable lark. Despite a recycled plot, this a...

As a bio-pic, De-Lovely is pretty standard, run-of-the-mill stuff (albeit with an interesting framing device). However, as a "best hits" collection of Cole Porter's music, it is unparalleled. With approximately two-dozen of his tunes performed by...

Wedding the phrase "Jerry Bruckheimer production" with the words "intelligent screenplay" might seem to be an unimaginable mismatch, but it has happened. Déjà Vu, the new thriller from Bruckheimer and director Tony Scott, impresses with both the...

Taylor Hackford's The Devil's Advocate has many laudable qualities, but subtlety is not among them. The story, which postulates that the devil is walking among us today, gives Satan's human alter-ego a truly obvious name: John Milton (for those w...

Recently, Barry Levinson's career has been on the skids. After two critical and popular disasters (the overblown, overbudgeted Toys and the lackluster Jimmy Hollywood), the director is in need of a success. With this adaptation of Michael Crichton...