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There is a scene in Nil by Mouth, actor Gary Oldman's directorial debut, that is excruciatingly difficult to watch. It's not especially graphic, since the gruesome details take place out of frame, but anyone with an imagination can conjure up ...

Whenever a movie addresses the subject of a girl living alone on a desert island, the soft porn warning lights go on. So it may come as a bit of a surprise that Nim's Island is a family film in which no one considers skinny-dipping. What's more, i...

Nine represents director Rob Marshall's second big-screen musical spectacle. His previous effort, Chicago, won an Oscar; although Nine is likely to win its share of praise, it probably won't come close to achieving the same level of acclaim. Alth...

Edson Oda’s debut feature, Nine Days, is a pure allegory; the film works as an extended philosophical rumination but fails as a story. Although interesting in many aspects, Nine Days is as often frustrating as it is compelling, and the denou...

What's the point? If I wanted to spend 12 minutes watching someone pushing a cart around a grocery store, I'd go to the local A&P, not sit in a movie theater. At least then I could get the week's shopping done. Nine Lives is a failed experiment...

It's always a tricky proposition to make a motion picture based on recent history -- and the more public the episode, the more difficult it is for the film maker to balance drama with accuracy. This is especially true when that film maker is Olive...

Expecting normalcy from a Coen Brothers production is a pointless endeavor, but anticipating brilliance isn't outlandish. Their latest feature, which has about zero box office potential, provides plenty of the latter and a little of the former. It�...

It's increasingly unusual that a thriller can claim to maintain its intensity for the entirety of its running length. No Escape is masterful at keeping the stakes high without confounding our so-called "suspension of disbelief." Unlike ...

No Hard Feelings is an odd movie in that films of this sort have fallen out of vogue in the 21st century and are rarely accorded any sort of theatrical release. (The box office results will determine whether the decision to reject a direct-to-stre...

No Reservations is an adequate adaptation of Sandra Nettelbeck's 2001 German feature, Mostly Martha. While not as emotionally resonant as its inspiration and tending a little more toward melodrama, No Reservations is nevertheless a uplifting tale ...