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The Martian is the latest in a series of realistic science fiction films - movies that eschew the space opera elements of the genre and concentrate instead on believable aspects. Following in the wake of Christopher Nolan's Interstellar (and feat...

Some might believe that the unexpected success of Disney's Pirates of the Caribbean has resulted in a sudden upsurge in interest about high seas derring-do, but anyone expecting a "spillover" effect to generate a box office ripple for Peter Weir's ...

"I don't believe in heaven. I believe in pain. I believe in fear. I believe in death." So states Max Payne (Mark Wahlberg), elucidating his nihilistic creed during the film's opening moments. While the movie bearing the title character's name h...

Despite a strong opening and riveting first 45 minutes, The Maze Runner devolves into one of the weakest post-apocalyptic Young Adult movies to reach theaters in recent years. The film's inability to sustain the energy it starts with results in a d...

If I knew definitively what the plural was for the term deus ex machina, I’d apply it here. Rarely can I remember a movie filled with so many miraculous rescues and associated contrivances. The Death Cure represents the final chapter in a mo...

In the pantheon of YA ("Young Adult") dystopian book-turned-movie series, if The Hunger Games occupies the pinnacle then The Maze Runner sits in the basement. After an encouraging and engaging first half of the first film, The Maze Runner h...

After taking a break to become involved in the production of the small coming-of-age drama Outside Providence, the Farrelly Brothers are at it again. Their 1998 hit, There's Something About Mary, will forever be known for breaking the semen barrie...

Back in the 1980s, it wasn't uncommon to hear Eddie Murphy referred to as a "comic genius." 20 years later, the man who once made a concert film called Raw has become a purveyor of PG-rated pabulum. At one point, Murphy could deliver while collec...

Mike and Dave Need Wedding Dates exemplifies what passes for “raunchy comedy” these days: plenty of vulgarity and profanity without many accompanying laughs. In trying to push the R-rated envelope, filmmakers have become so focused on bei...

Miller’s Crossing, the Coen Brothers’ third film (following Blood Simple and Raising Arizona) introduced the kind of comedically-tinged approach they would employ for some of their darkest and most compelling films, including the criticall...