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A View to a Kill represents the farewell bow of two long-time Bond film actors: Lois Maxwell, who portrayed Miss Moneypenny in all fourteen official movies from Dr. No to this one, and Roger Moore. While Moore's stamp on Bond was never as memo...

Two distinct problems of execution keep The Visit, M. Night Shyamalan's "comeback" from being anything more than another disappointing title on an increasingly uneven filmography. Despite a promising premise and effective "Shyamala...

Volcano is one of those films (like last year's Twister and Independence Day) for which it doesn't matter what I (or any other critic) have to say. Disaster movie junkies will go to get their fix; those who can't tell the difference between Th...

During its short lifespan, the original World Trade Center hosted a number of strange and surreal occurrences but perhaps none was more astonishing than the tightwire walk by Frenchman Philippe Petit. The event took place during the morning of August...

Transforming Watchmen, one of the most lauded comic series of all time, into a movie is as ambitious an undertaking as anyone in Hollywood is likely to attempt. For more than 20 years, a variety of people (including Terry Gilliam, Darren Aronofsky...

In some ways, the 1980s represent the perfect era in which to set a slasher – recent enough for the societal norms to be recognizable but prior to the advent of such plot twist-busting devices like the cellphone and the Internet. Mark Meyers...

The best thing that can be said about Welcome to Me, as written by Eliot Laurence and directed by Shira Piven, is that it attempts to portray the real Borderline Personality Disorder as opposed to the Hollywood movie version of the disease. Unfortuna...

The key to enjoying What Women Want - a feather-light trifle that will probably find favor at the box office - is not considering the age-old question of what might have been. The underlying premise - a male chauvinist suddenly gaining access to w...

Once upon a time, Robert Zemeckis was a visionary filmmaker. His early resume reads like a list of well-remembered classics: Back to the Future, Who Framed Roger Rabbit, Forrest Gump, The Polar Express… But Zemeckis has fallen on hard times a...

The World's Fastest Indian is not, as the title might suggest, a National Geographic special. Instead, it's a based-on-a-true-story tale that crosses no fewer than four genres in the space of a little more than two hours. Although some aspects of...