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Writer/director Paul Schrader has always been fascinated by the line between sanity and madness, and what it takes to push a man over the edge. This theme stands out in two of Schrader's best known scripts, Taxi Driver and Raging Bull, both of whi...

The Bank Job is a heist movie in the classic tradition - it details every aspect of the caper, from its genesis to its aftermath. The fact that there's political intrigue and espionage swirling around the edges only makes it more fascinating. Dir...

The “so bad it’s good” tag often applied to co-called “cult classics” is as elusive a categorization as there is in cinema. Most of the time, it evolves organically from the failure of a movie. Planning campiness is more apt to result in...

Spoiler Warning! Because I reveal things about the ending of Pitch Perfect 2 in this review, I am duty-bound to warn readers in case they wish to stop now. (Of course, if you don't care, feel free to continue…) I am as far from the targ...

For an author of long-form fiction, the writing process isn't merely technical. As absurd as it might seem, the writer bonds with his or her characters to the point where they can become as "real" as any flesh-and-blood person. This is especially t...

The Signal ends up as a completely different movie than it is at the start. This pretty much guarantees that, although the astute viewer might intuit some of the twists and turns, at least some surprises will remain. In fact, although the movie pro...

The Sweet Hereafter is film maker Atom Egoyan's most compelling movie to date. Amplifying many of the themes explored in his previous outing, Exotica, the Canadian director/writer/producer shows the powerful effects of grief and anger on a com...

Underwater is all adrenaline and claustrophobia – a 95-minute non-stop excursion to the bottom of the sea where human beings are aliens and monstrous creatures haunt the depths. Director William Eubank (The Signal) understands that for a mov...