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Welcome to the lurid world of Atom Egoyan, B-grade schlock filmmaker. Until seeing Where the Truth Lies, I never would have considered applying this title to Egoyan, the eclectic filmmaker of some of the '90s most compelling features (Exotica and T...

Where the Wild Things Are may be the first family film in recent memory to rely not on narrative or character development but on ideas and the director's vision. The result is an involving experience for all but the most fidgety children and an op...

Although Where’d You Go, Bernadette suffers from an ungainly structure and uneven pacing, the production as a whole is engaging and uplifting. This is due in part to the strength of the cast but also owes something to director Richard Linkla...

Whip It, the directorial debut of actress Drew Barrymore, is a sports film that uneasily straddles the divide that exists between comedy and drama. Built upon a mountain of clichés, the screenplay wallows in artificiality and, although some of th...

As a satire about the absurdity of war and the way the news media covers it, Whiskey Tango Foxtrot has surprisingly dull fangs. Coming from Lorne Michaels and Tina Fey, this is especially surprising since neither is known for pulling punches. Neverth...

Whisper of the Heart was the first Studio Ghibli feature not to be directed be either of the co-founders, Hayao Miyazaki or Isao Takahata, although director Yoshifumi Kondo worked from a screenplay and storyboards credited to Miyazaki. Not unl...

White Oleander is a flower - a hearty-but-poisonous flower whose beauty makes it appear deceptively fragile. This blossom, which appears several times throughout the film that takes its name, is a perfect metaphor for Ingrid Magnussen, the charact...

During the course of his short, stormy life, Depression era writer Robert E. Howard created more than two dozen pulp heroes, and wrote hundreds of short stories. His best-known creation, Conan the Barbarian, became so popular during the 1970s...

I’m not going to lie. I laughed - just not as frequently or as hard as I would have liked to.  Why Him? contains its share of effective humor, both of the clever and raunchy kinds, but it also suffers from two malaises that infect many mod...

The filmmakers have decided to append the subtitle For Good onto this, the conclusion to their bifurcated adaptation of the insanely popular Broadway musical. An equally appropriate title might be Wicked: More of the Same, because that’s exactly...