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Winter's Bone offers a case study in the essential philosophical differences between independent motion picture thrillers and Hollywood/mainstream ones. The third feature from director Debra Granik and winner of two awards at the 2010 Sundance Fil...

We live in a cynical world. A romantic fairy tale like Winter's Tale might have worked better in a kinder, gentler age but, in today's era of sarcasm and scorn, its flaws (of which there are many) are magnified. For something this sentimental to wo...

The Witches was the third and final foray into feature film fantasy made by the late Muppets creator, Jim Henson. Released shortly after his death, the movie followed in the footsteps of The Dark Crystal and Labyrinth as opportunities to use H...

Once upon a time, Robert Zemeckis was a visionary filmmaker. His early resume reads like a list of well-remembered classics: Back to the Future, Who Framed Roger Rabbit, Forrest Gump, The Polar Express… But Zemeckis has fallen on hard times a...

Technically, the full title of Without Remorse is Tom Clancy’s Without Remorse. However, any similarities between the film version (credited to Taylor Sheridan and Will Staples) and Clancy’s novel are seemingly coincidental. This is a comp...

For veteran director Victor Fleming, who began making movies during the black-and-white, silent era, 1939 represented the pinnacle of his career. Not only did Fleming's Gone with the Wind claim the Best Picture Oscar, but his other big feature, Th...

When one thinks of a Martin Scorsese film, the first images that come to mind are dark, violent, serious ones. His most celebrated movies are Taxi Driver, Raging Bull, Goodfellas, and The Departed - all intense, uncompromising samples of cinema at ...

All of the great Universal horror movies from the 1930s and 1940s have now been remade: Dracula, Frankenstein, The Mummy, and The Wolf Man. Over the years, there have been numerous cinematic encounters with lycanthropy, but The Wolf Man is to were...

The Woman in Black is as traditional a ghost story as is likely to be found in today's marketplace. All the elements are in place: an isolated, gothic mansion on the moors, mysterious deaths, a graveyard, an apparition in black whose appearances co...

For roughly its first third, Joe Wright’s The Woman in the Window, based on the best-selling novel by A.J. Finn, feels like a quasi-remake of Alfred Hitchcock’s Rear Window. It then shifts gears and enters Gaslight/Witness to Murder territ...