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Expectations can be an unfortunate thing. Over the years, my fondness for Ben Affleck’s 2016 thriller, The Accountant, has not waned so, when I learned that the character was returning for another outing after a nine-year gap, I was hopeful. Ala...

The Accountant is a superhero movie. Despite not being based on an existing comic book (a welcome change), the film has all the beats and tropes we have come to expect from superhero movies, although the R-rating makes it more of an adult experience ...

On the one hand, it’s possible to express deep admiration for the world-building and storytelling of Alita: Battle Angel and to offer praise and credit to director Robert Rodriguez and co-writer/co-producer James Cameron for providing a rive...

Allegiant exemplifies what happens when a book or movie exists solely for the purposes of placating fans and maintaining a revenue stream. Craft and originality are swapped out for familiarity and sameness. Plot turns into a regurgitation of not only...

It’s fair to say that the third Ant-Man movie is the most ambitious of the trio. It’s also unlike most superhero movies, taking the storyline into uncanny and mostly unexplored (at least in the MCU) directions. There are glimpses of potential ...

What is it they say about real estate? Location, location, location. That's certainly the case with the flat of C. C. Baxter (Jack Lemmon) in Billy Wilder's The Apartment. Viewed by many as one of the best comedies to come out of the 1960s (it wa...

Surely, this was going to be the one. That’s what gamers everywhere thought when the cast of Assassin’s Creed was announced. Two-time Oscar nominee Michael Fassbender. Oscar winners Marion Cotillard and Jeremy Irons. Plus Brendan Gleeson ...

Edgar Wright’s Baby Driver seeks to inject a dose of high octane into a heist film while illustrating how it’s possible to make a car chase exciting in an era when few action staples have become more boring and predictable. The film also s...

Has the passage of 18 years and the removal of Michael Bay from the director’s chair revived or redeemed the roadkill represented by the previous Bad Boys sequel? To a certain extent, yes, but only when one considers that the third installme...

I’m not sure what more I can say about Bad Boys: Ride or Die, the fourth installment in the over-the-hill franchise, that I haven’t written in reviews of the previous films. Unsurprisingly, considering it has the same directors as the third Ba...