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For more than three decades, How the Grinch Stole Christmas has been a holiday season television staple. The 22-minute cartoon, based on the book by Dr. Seuss and narrated by Boris Karloff, has enchanted multiple generations of children (not to me...

One could easily make the argument that How to Lose a Guy in 10 Days is a perfectly acceptable diversion. Kate Hudson's Andie Anderson and Matthew McConaughey's Ben Barry are both affable individuals and, when the script allows it, there are fitfu...

How to Lose Friends and Alienate People is an uneasy marriage of satire and romantic comedy. The film's inability to decide whether it wants to be sweet and life-affirming or vicious and nasty creates not only a disconnect on the story level but r...

I have made my peace with an unsavory truth: the Hollywood of today is going to continue crafting live-action remakes of the animated films of yesteryear until they run out of material. Why? Because audiences like them – more often than not, the...

It's an axiom of the filmmaking industry that any time an animated movie shows a profit, it instantly becomes the foundation for a franchise. Unfortunately, when money drives creative decisions, it's like the cart pulling the horse. Take away the f...

The third (and likely final) installment of the How to Train Your Dragon trilogy, The Hidden World, continues a trend that started with the previous film: muting adult-friendly content in favor of material with a greater appeal to kids. Althoug...

With Hugo, Martin Scorsese has accomplished what few in Hollywood are willing to try: make a movie for adults that arrives without sex, violence, or profanity and earns a PG-rating. It's a fairy tale for mature viewers, but the airy exterior hides ...

There's something gentle, charming, and old-fashioned about The Hundred-Foot Journey, a family-friendly motion picture from director Lasse Hallstrom based on the book by Richard C. Morais. A non-confrontational movie about the power of food and fa...

The concept of a child creating an imaginary world as a retreat from reality isn’t new to either movies or literature. In fact, one of the most beloved of all family films, The Wizard of Oz, employs this conceit. More recent endeavors like Pa...

I Love You Phillip Morris begins by telling us that it's based on a true story. Then, as if we might be disbelieving of that claim, it reinforces it. Truth, as they say, is stranger than fiction. (Not really, but the phrase sounds good, so we use ...