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The Adam Sandler slide continues. Sandler, once a box office giant whose stock has plummeted in recent years, no longer seems capable of making a watchable movie. His latest, Pixels, an homage to the early 1980s video game craze, offers an appeal to ...

It comes as a bit of a surprise that, for consistently suspenseful chase sequences, the pick of the 2012 summer crop is the under-the-radar thriller from writer/director David Koepp, Premium Rush. The average chase, filmed with the traditional sele...

The career aspirations of Mathilda (Natalie Portman) aren't those of the average 12-year old girl. Instead of wanting to be a doctor, fashion model, teacher, lawyer, or nuclear physicist, Mathilda has decided to follow in the footsteps of her best...

Punch Drunk Love represents a departure on the part of two key participants. For Adam Sandler, who portrays the film's protagonist, this is an attempt to play it straight, without falling back on antics, physical comedy, or silliness. For Paul Th...

With a title like The Pursuit of Happyness, you expect the characters to get to the promised land. They do, but if the journey matters more than the destination, this is a movie to skip. The Pursuit of Happyness is long, dull, and depressing. It ...

"Bond. James Bond." Once, those three words stood nape hairs on end for fans of the action/adventure genre. A lot has transpired since 1963 when Dr. No was brought to the screen, but Bond has been a great constant through all those years. One...

Reign Over Me has the best of intentions but, despite its desire to show how the perseverance of a good man can produce profound results, it bungles the attempt. This is a shameless and clumsy tearjerker - a film that inadvertently comes across as...

The cream always rises to the top, and such is the indisputable case with Anthony Hopkins' deeply moving portrayal of the stilted butler of Darlington Hall in the newest offering from Merchant Ivory. Reuniting Howards End co-stars Hopkins and Emma...

Memo to director Chris Columbus: In most cases, it's a bad idea for a movie to be a direct representation of a play. "Opening up" the setting is sometimes not all that's necessary to make a stage production into something cinematic. In a theater...

2014's iteration of Robocop is a kinder, gentler version of Paul Verhoeven's 1987 sci-fi orgy of violence. The storyline has been trimmed and reworked to allow it to slide under the PG-13 bar. That means a brutal torture/murder sequence is no more ...