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As family features go, Charlotte's Web may be the best we have seen in a while. Technically adept and surprisingly affecting, the movie translates E.B. White's children's book into a motion picture that will enthrall children and engage their paren...

Once upon a time, a Broadway musical like Chicago would have automatically received a silver screen treatment – but that was before the popularity of the movie musical crashed and burned. Nevertheless, the enthusiasm surrounding the 1996 revival...

Thematically, James Ponsoldt’s The Circle (based on the novel by Dave Eggers) takes its cues from George Orwell’s 1984 and Aldous Huxley’s Brave New World. Grand aspirations, to be sure, and ones that are never truly met. From its beginn...

Let me begin this review by stating that I am weary of courtroom dramas. This is in large part because of John Grisham, whose popularity has encouraged screenwriters exploring this genre to fall into familiar, predictable patterns. Seen in retros...

Note: I suppose the official title of the movie is Tim Burton's Corpse Bride, presumably to distinguish it from William Shakepeare's Corpse Bride or Jane Austen's Corpse Bride. The wordiness seems silly so, for the purposes of this review, the fil...

When it comes to a Spike Lee movie, it would be foolish to expect a politics-free zone. Lee is an activist filmmaker and has never pretended otherwise. He makes movies that entertain and educate but, most importantly, he seeks to challenge. So...

There’s an inevitability about The Danish Girl being well received by critics and at awards ceremonies.  This is, after all, a movie with a strong social message about tolerance and inclusivity. Dramatically, however, it’s a mixed ba...