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The Omen is regarded as a horror classic, although I have never been able to figure out why Richard Donner's second-rate exploitation flick has been accorded such a lofty status. Since the 2006 re-make is almost identical to its predecessor (even ...

Note: Once Upon a Deadpool is an edited version of the original Deadpool 2 with some scenes shortened/deleted and new material added.  In keeping with the spirit of the movie, this review of Once Upon a Deadpool is an edited version of t...

Putting aside a needlessly grotesque dream sequence that opens the movie, Orphan looks for a few fleeting moments like it might be a clever psychological thriller - the kind in which the audience is never quite sure whether the events on screen are...

It seems that hardly a year goes by without a new cinematic adaptation of one of Shakespeare's plays, and, of late, Kenneth Branagh's name has become intimately entwined with that of the Bard. While Branagh, who helmed Henry V, Much Ado About Noth...

Other People’s Money, the motion picture adaptation of Jerry Sterner’s 1989 play, opens with a deliciously cynical monologue by Danny DeVito that captures public perceptions from the era: “I love money. I love money more than I love the ...

Our Brand is Crisis is about an election but in many ways it plays out like a boxing movie told from the perspective of the trainer. The cynical, satirical edge is entirely appropriate for the world of politics in which style trumps substance and the...

Lately, comedies seem to come in two flavors: profane raunch-fests that seek to garner laughs via shock tactics and big-screen sit-coms. Despite Zooey Deschanel's repeated utterance of the word "fuck" and a dud of a threesome, Our Idiot Brother fal...

Watching Out of Africa a quarter of a century after its release, it's almost impossible to guess how it won the Oscar for Best Picture. There's little doubt that this is a feast for the eyes and ears. The pairing of John Barry's lush score with D...

Outlaw King, a lavish period piece fronted by Chris Pine and Stephen Dillane, could be seen as a follow-up to Mel Gibson’s Oscar-winning Braveheart, although this new production lacks the epic greatness that infused the earlier film. Pickin...

To fashion an endearing romantic comedy, there are only a few simple rules to be followed: find two likeable leads whose chemistry sizzles, provide them with a simple framework that allows them to gradually fall for each other in such a way that th...