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Over the Hedge, a feature-length adaptation of the popular comic strip, offers further proof that the Golden Age of Digital Animation has come and gone. This is arguably the most entertaining animated film since The Incredibles, but it's not much ...

Oz the Great and Powerful is director Sam Raimi's prequel to The Wizard of Oz. This new vision of The Land of Oz is an imaginative mix of live-action and CGI that pays homage to the iconic images and timeless sense of wonder in the classic The Wiza...

Critics writing reviews of Panic Room will likely delve into the cliché bag and pull out some of these familiar phrases: pulse-pounding, edge-of-the-seat, white-knuckler, thrill-a-minute, etc. However trite those sayings might be, they are ap...

Paper Towns is the third coming-of-age story to reach screens during the summer of 2015, following in the wake of the vastly superior Me and Earl and the Dying Girl and Dope. Based on the novel by John Green, Paper Towns is an exercise in artifice. T...

I've seen movies like this more often than I'd like to admit: glitzy thrillers with less intelligence than a smart rutabaga where big-name actors pick up a paycheck while trying with limited success not to embarrass themselves and the studio keeps ...

Parker delivers just about what the average viewer would expect from it: a Jason Statham-flavored action thriller (as opposed to, say, a Matt Damon-flavored action thriller or a Rock-flavored action thriller). Statham, like John Wayne in his heyday...

Paul is arguably the best science fiction comedy since Galaxy Quest. Despite being humorous in its outlook and providing numerous "Easter eggs" to fans of Star Wars, Aliens, Close Encounters, and E.T. (amongst others), this isn't a parody. Outside ...

Nostalgia - many movies (especially sequels to long-lasting franchises) trade in it to one degree or another. Few films, however, rely on its impact as strongly as The Peanuts Movie, the first big-screen outing for Charlie Brown & friends since 1...

In 2018, vigilantism is all the rage. I wonder whether that says something about our current culture or whether it’s just something Hollywood has latched onto as a way of making a buck. Peppermint is the third such high-profile film to come t...

There are times when a filmmaker tries so hard to surprise everyone that he ends up surprising no one. Such is the case with A Perfect Getaway, a film that exists for one reason: the twist. Writer/director David Twohy (Pitch Black) puts so much e...